š Up to 70% Off Selected ItemsShop Sale
The Frenchmen
āA superbly engrossing adventure of ideasā¦this will surely be my philosophy book of the year.ā āSarah Bakewell, New York Times bestselling author of Humanly Possible
āMasterfulā¦an engrossing portraitā¦Eakin makes her obsession with these thinkers contagious.ā āPublishers Weekly, starred review
From leading critic and essayist Emily Eakin, a stylish personal history of French theory and its unlikely domination of American culture
When Emily Eakin arrived at Harvard in the late 1980s, she fell under the spell of an eclectic body of philosophical texts by a handful of French authors. This was French theory, a set of recondite ideas that had taken American campuses by a storm during the preceding decades. In retrospect, the influence of these men and their writings seems both extraordinary and improbable. The Frenchmen argued that language is all-powerful, meaning unstable, and the self is an illusion. Their prose was brilliant, dazzling even, but often mystifyingly elaborate and highly abstract. Yet American students and scholars flocked to their books and lectures, intoxicated by a powerful new means of understandingāand perhaps even changingāthe world. For Eakin, an unsophisticated graduate of a small-town Midwestern high school, theory was no mere intellectual exercise but a way of beingāa heady shortcut to worldly glamour and wisdom.
The Frenchmen is the story of Eakinās youthful love affair with French theory, alongside a wider examination of its rise and fall. Looking closely at Jacques Derrida, Louis Althusser, Roland Barthes, Gilles Deleuze, Michel Foucault, FĆ©lix Guattari, Jacques Lacan, and the French-speaking Belgian Paul de Man, Eakin untangles their famously difficult works with peerless, delightful clarity. Whatās more, she brings to light the eccentric, scandalousāat times criminal!ālives of thinkers who themselves were often highly averse to biography, in a daringly original weave of storytelling and exegesis.
As she explores the magnetism of their work, Eakin illuminates not just the Frenchmenās enduring legacy but some of todayās deepest political, social, and intellectual arguments. She neither rejects nor flatters the Frenchmenās ideas but instead reveals how they indelibly changed our understanding of power, truth, and identity. Eakin shows how, for better or worse, the Frenchmen continue to shape and unsettle our lives today.
āMasterfulā¦an engrossing portraitā¦Eakin makes her obsession with these thinkers contagious.ā āPublishers Weekly, starred review
From leading critic and essayist Emily Eakin, a stylish personal history of French theory and its unlikely domination of American culture
When Emily Eakin arrived at Harvard in the late 1980s, she fell under the spell of an eclectic body of philosophical texts by a handful of French authors. This was French theory, a set of recondite ideas that had taken American campuses by a storm during the preceding decades. In retrospect, the influence of these men and their writings seems both extraordinary and improbable. The Frenchmen argued that language is all-powerful, meaning unstable, and the self is an illusion. Their prose was brilliant, dazzling even, but often mystifyingly elaborate and highly abstract. Yet American students and scholars flocked to their books and lectures, intoxicated by a powerful new means of understandingāand perhaps even changingāthe world. For Eakin, an unsophisticated graduate of a small-town Midwestern high school, theory was no mere intellectual exercise but a way of beingāa heady shortcut to worldly glamour and wisdom.
The Frenchmen is the story of Eakinās youthful love affair with French theory, alongside a wider examination of its rise and fall. Looking closely at Jacques Derrida, Louis Althusser, Roland Barthes, Gilles Deleuze, Michel Foucault, FĆ©lix Guattari, Jacques Lacan, and the French-speaking Belgian Paul de Man, Eakin untangles their famously difficult works with peerless, delightful clarity. Whatās more, she brings to light the eccentric, scandalousāat times criminal!ālives of thinkers who themselves were often highly averse to biography, in a daringly original weave of storytelling and exegesis.
As she explores the magnetism of their work, Eakin illuminates not just the Frenchmenās enduring legacy but some of todayās deepest political, social, and intellectual arguments. She neither rejects nor flatters the Frenchmenās ideas but instead reveals how they indelibly changed our understanding of power, truth, and identity. Eakin shows how, for better or worse, the Frenchmen continue to shape and unsettle our lives today.
Product Information
Product Information
Shipping & Returns
Shipping & Returns

The Frenchmen
The Frenchmen
āA superbly engrossing adventure of ideasā¦this will surely be my philosophy book of the year.ā āSarah Bakewell, New York Times bestselling author of Humanly Possible
āMasterfulā¦an engrossing portraitā¦Eakin makes her obsession with these thinkers contagious.ā āPublishers Weekly, starred review
From leading critic and essayist Emily Eakin, a stylish personal history of French theory and its unlikely domination of American culture
When Emily Eakin arrived at Harvard in the late 1980s, she fell under the spell of an eclectic body of philosophical texts by a handful of French authors. This was French theory, a set of recondite ideas that had taken American campuses by a storm during the preceding decades. In retrospect, the influence of these men and their writings seems both extraordinary and improbable. The Frenchmen argued that language is all-powerful, meaning unstable, and the self is an illusion. Their prose was brilliant, dazzling even, but often mystifyingly elaborate and highly abstract. Yet American students and scholars flocked to their books and lectures, intoxicated by a powerful new means of understandingāand perhaps even changingāthe world. For Eakin, an unsophisticated graduate of a small-town Midwestern high school, theory was no mere intellectual exercise but a way of beingāa heady shortcut to worldly glamour and wisdom.
The Frenchmen is the story of Eakinās youthful love affair with French theory, alongside a wider examination of its rise and fall. Looking closely at Jacques Derrida, Louis Althusser, Roland Barthes, Gilles Deleuze, Michel Foucault, FĆ©lix Guattari, Jacques Lacan, and the French-speaking Belgian Paul de Man, Eakin untangles their famously difficult works with peerless, delightful clarity. Whatās more, she brings to light the eccentric, scandalousāat times criminal!ālives of thinkers who themselves were often highly averse to biography, in a daringly original weave of storytelling and exegesis.
As she explores the magnetism of their work, Eakin illuminates not just the Frenchmenās enduring legacy but some of todayās deepest political, social, and intellectual arguments. She neither rejects nor flatters the Frenchmenās ideas but instead reveals how they indelibly changed our understanding of power, truth, and identity. Eakin shows how, for better or worse, the Frenchmen continue to shape and unsettle our lives today.
āMasterfulā¦an engrossing portraitā¦Eakin makes her obsession with these thinkers contagious.ā āPublishers Weekly, starred review
From leading critic and essayist Emily Eakin, a stylish personal history of French theory and its unlikely domination of American culture
When Emily Eakin arrived at Harvard in the late 1980s, she fell under the spell of an eclectic body of philosophical texts by a handful of French authors. This was French theory, a set of recondite ideas that had taken American campuses by a storm during the preceding decades. In retrospect, the influence of these men and their writings seems both extraordinary and improbable. The Frenchmen argued that language is all-powerful, meaning unstable, and the self is an illusion. Their prose was brilliant, dazzling even, but often mystifyingly elaborate and highly abstract. Yet American students and scholars flocked to their books and lectures, intoxicated by a powerful new means of understandingāand perhaps even changingāthe world. For Eakin, an unsophisticated graduate of a small-town Midwestern high school, theory was no mere intellectual exercise but a way of beingāa heady shortcut to worldly glamour and wisdom.
The Frenchmen is the story of Eakinās youthful love affair with French theory, alongside a wider examination of its rise and fall. Looking closely at Jacques Derrida, Louis Althusser, Roland Barthes, Gilles Deleuze, Michel Foucault, FĆ©lix Guattari, Jacques Lacan, and the French-speaking Belgian Paul de Man, Eakin untangles their famously difficult works with peerless, delightful clarity. Whatās more, she brings to light the eccentric, scandalousāat times criminal!ālives of thinkers who themselves were often highly averse to biography, in a daringly original weave of storytelling and exegesis.
As she explores the magnetism of their work, Eakin illuminates not just the Frenchmenās enduring legacy but some of todayās deepest political, social, and intellectual arguments. She neither rejects nor flatters the Frenchmenās ideas but instead reveals how they indelibly changed our understanding of power, truth, and identity. Eakin shows how, for better or worse, the Frenchmen continue to shape and unsettle our lives today.
$9.45
Original: $27.00
-65%The Frenchmenā
$27.00
$9.45Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
āA superbly engrossing adventure of ideasā¦this will surely be my philosophy book of the year.ā āSarah Bakewell, New York Times bestselling author of Humanly Possible
āMasterfulā¦an engrossing portraitā¦Eakin makes her obsession with these thinkers contagious.ā āPublishers Weekly, starred review
From leading critic and essayist Emily Eakin, a stylish personal history of French theory and its unlikely domination of American culture
When Emily Eakin arrived at Harvard in the late 1980s, she fell under the spell of an eclectic body of philosophical texts by a handful of French authors. This was French theory, a set of recondite ideas that had taken American campuses by a storm during the preceding decades. In retrospect, the influence of these men and their writings seems both extraordinary and improbable. The Frenchmen argued that language is all-powerful, meaning unstable, and the self is an illusion. Their prose was brilliant, dazzling even, but often mystifyingly elaborate and highly abstract. Yet American students and scholars flocked to their books and lectures, intoxicated by a powerful new means of understandingāand perhaps even changingāthe world. For Eakin, an unsophisticated graduate of a small-town Midwestern high school, theory was no mere intellectual exercise but a way of beingāa heady shortcut to worldly glamour and wisdom.
The Frenchmen is the story of Eakinās youthful love affair with French theory, alongside a wider examination of its rise and fall. Looking closely at Jacques Derrida, Louis Althusser, Roland Barthes, Gilles Deleuze, Michel Foucault, FĆ©lix Guattari, Jacques Lacan, and the French-speaking Belgian Paul de Man, Eakin untangles their famously difficult works with peerless, delightful clarity. Whatās more, she brings to light the eccentric, scandalousāat times criminal!ālives of thinkers who themselves were often highly averse to biography, in a daringly original weave of storytelling and exegesis.
As she explores the magnetism of their work, Eakin illuminates not just the Frenchmenās enduring legacy but some of todayās deepest political, social, and intellectual arguments. She neither rejects nor flatters the Frenchmenās ideas but instead reveals how they indelibly changed our understanding of power, truth, and identity. Eakin shows how, for better or worse, the Frenchmen continue to shape and unsettle our lives today.
āMasterfulā¦an engrossing portraitā¦Eakin makes her obsession with these thinkers contagious.ā āPublishers Weekly, starred review
From leading critic and essayist Emily Eakin, a stylish personal history of French theory and its unlikely domination of American culture
When Emily Eakin arrived at Harvard in the late 1980s, she fell under the spell of an eclectic body of philosophical texts by a handful of French authors. This was French theory, a set of recondite ideas that had taken American campuses by a storm during the preceding decades. In retrospect, the influence of these men and their writings seems both extraordinary and improbable. The Frenchmen argued that language is all-powerful, meaning unstable, and the self is an illusion. Their prose was brilliant, dazzling even, but often mystifyingly elaborate and highly abstract. Yet American students and scholars flocked to their books and lectures, intoxicated by a powerful new means of understandingāand perhaps even changingāthe world. For Eakin, an unsophisticated graduate of a small-town Midwestern high school, theory was no mere intellectual exercise but a way of beingāa heady shortcut to worldly glamour and wisdom.
The Frenchmen is the story of Eakinās youthful love affair with French theory, alongside a wider examination of its rise and fall. Looking closely at Jacques Derrida, Louis Althusser, Roland Barthes, Gilles Deleuze, Michel Foucault, FĆ©lix Guattari, Jacques Lacan, and the French-speaking Belgian Paul de Man, Eakin untangles their famously difficult works with peerless, delightful clarity. Whatās more, she brings to light the eccentric, scandalousāat times criminal!ālives of thinkers who themselves were often highly averse to biography, in a daringly original weave of storytelling and exegesis.
As she explores the magnetism of their work, Eakin illuminates not just the Frenchmenās enduring legacy but some of todayās deepest political, social, and intellectual arguments. She neither rejects nor flatters the Frenchmenās ideas but instead reveals how they indelibly changed our understanding of power, truth, and identity. Eakin shows how, for better or worse, the Frenchmen continue to shape and unsettle our lives today.












