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Nothing Random
A NEW YORK TIMES BOOK REVIEW EDITORSā CHOICE ⢠The āexhilaratingā (The Boston Globe) story of the legendary Random House founder, whose seemingly charmed life at the apogee of the American Century afforded him a front-row seat to literary and cultural history in the making
ā[A] big, beautiful biography ⦠Thereās a new Power Broker in town.āāThe New York Times
āFeldman depicts a lost world, at times a lost paradise, when New York, Hollywood and the literary life were at their most glamorous and privileged.āāThe Washington Post
At midcentury, everyone knew Bennett Cerf: witty, beloved, middle-aged panelist on Whatās My Line? whom TV brought into Americaās homes each week. But they didnāt know that the handsome, driven, paradoxical young man of the 1920s had vowed to become a great publisher and, a decade later, was. By then, heād signed Eugene OāNeill, Gertrude Stein, and William Faulkner, and had fought the landmark censorship case that gave Americans the freedom to read James Joyceās Ulysses.
With his best friend and lifelong business partner Donald Klopfer, and other young Jewish entrepreneurs like the Knopfs and Simon & Schuster, Cerf remade the book business: what was published, and how. In 1925, he and Klopfer bought the Modern Library and turned it into an institution, then founded Random House, which eventually became a home to Truman Capote, Ralph Ellison, Ayn Rand, Dr. Seuss, Toni Morrison, James Michener, and many more.
Even before TV, Cerf was a bestselling author and columnist as well as publisher; the show super-charged his celebrity, bringing fameābut also criticism. A brilliant social networker and major influencer before such terms existed, he connected books to Broadway, TV, Hollywood, and politics. A fervent democratizer, he published āhigh,ā ālow,ā and wide, and from the Roaring Twenties to the Swinging Sixties collected an incredible array of friends, from George Gershwin to Frank Sinatra, having a fabulous time along the way.
Using interviews with more than two hundred individuals, deeply researched archival material, and letters from private collections not previously available, this book brings Bennett Cerf to vibrant life, drawing book lovers into his world, finally laying open the page on a quintessential American original.
ā[A] big, beautiful biography ⦠Thereās a new Power Broker in town.āāThe New York Times
āFeldman depicts a lost world, at times a lost paradise, when New York, Hollywood and the literary life were at their most glamorous and privileged.āāThe Washington Post
At midcentury, everyone knew Bennett Cerf: witty, beloved, middle-aged panelist on Whatās My Line? whom TV brought into Americaās homes each week. But they didnāt know that the handsome, driven, paradoxical young man of the 1920s had vowed to become a great publisher and, a decade later, was. By then, heād signed Eugene OāNeill, Gertrude Stein, and William Faulkner, and had fought the landmark censorship case that gave Americans the freedom to read James Joyceās Ulysses.
With his best friend and lifelong business partner Donald Klopfer, and other young Jewish entrepreneurs like the Knopfs and Simon & Schuster, Cerf remade the book business: what was published, and how. In 1925, he and Klopfer bought the Modern Library and turned it into an institution, then founded Random House, which eventually became a home to Truman Capote, Ralph Ellison, Ayn Rand, Dr. Seuss, Toni Morrison, James Michener, and many more.
Even before TV, Cerf was a bestselling author and columnist as well as publisher; the show super-charged his celebrity, bringing fameābut also criticism. A brilliant social networker and major influencer before such terms existed, he connected books to Broadway, TV, Hollywood, and politics. A fervent democratizer, he published āhigh,ā ālow,ā and wide, and from the Roaring Twenties to the Swinging Sixties collected an incredible array of friends, from George Gershwin to Frank Sinatra, having a fabulous time along the way.
Using interviews with more than two hundred individuals, deeply researched archival material, and letters from private collections not previously available, this book brings Bennett Cerf to vibrant life, drawing book lovers into his world, finally laying open the page on a quintessential American original.
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Nothing Random
Nothing Random
A NEW YORK TIMES BOOK REVIEW EDITORSā CHOICE ⢠The āexhilaratingā (The Boston Globe) story of the legendary Random House founder, whose seemingly charmed life at the apogee of the American Century afforded him a front-row seat to literary and cultural history in the making
ā[A] big, beautiful biography ⦠Thereās a new Power Broker in town.āāThe New York Times
āFeldman depicts a lost world, at times a lost paradise, when New York, Hollywood and the literary life were at their most glamorous and privileged.āāThe Washington Post
At midcentury, everyone knew Bennett Cerf: witty, beloved, middle-aged panelist on Whatās My Line? whom TV brought into Americaās homes each week. But they didnāt know that the handsome, driven, paradoxical young man of the 1920s had vowed to become a great publisher and, a decade later, was. By then, heād signed Eugene OāNeill, Gertrude Stein, and William Faulkner, and had fought the landmark censorship case that gave Americans the freedom to read James Joyceās Ulysses.
With his best friend and lifelong business partner Donald Klopfer, and other young Jewish entrepreneurs like the Knopfs and Simon & Schuster, Cerf remade the book business: what was published, and how. In 1925, he and Klopfer bought the Modern Library and turned it into an institution, then founded Random House, which eventually became a home to Truman Capote, Ralph Ellison, Ayn Rand, Dr. Seuss, Toni Morrison, James Michener, and many more.
Even before TV, Cerf was a bestselling author and columnist as well as publisher; the show super-charged his celebrity, bringing fameābut also criticism. A brilliant social networker and major influencer before such terms existed, he connected books to Broadway, TV, Hollywood, and politics. A fervent democratizer, he published āhigh,ā ālow,ā and wide, and from the Roaring Twenties to the Swinging Sixties collected an incredible array of friends, from George Gershwin to Frank Sinatra, having a fabulous time along the way.
Using interviews with more than two hundred individuals, deeply researched archival material, and letters from private collections not previously available, this book brings Bennett Cerf to vibrant life, drawing book lovers into his world, finally laying open the page on a quintessential American original.
ā[A] big, beautiful biography ⦠Thereās a new Power Broker in town.āāThe New York Times
āFeldman depicts a lost world, at times a lost paradise, when New York, Hollywood and the literary life were at their most glamorous and privileged.āāThe Washington Post
At midcentury, everyone knew Bennett Cerf: witty, beloved, middle-aged panelist on Whatās My Line? whom TV brought into Americaās homes each week. But they didnāt know that the handsome, driven, paradoxical young man of the 1920s had vowed to become a great publisher and, a decade later, was. By then, heād signed Eugene OāNeill, Gertrude Stein, and William Faulkner, and had fought the landmark censorship case that gave Americans the freedom to read James Joyceās Ulysses.
With his best friend and lifelong business partner Donald Klopfer, and other young Jewish entrepreneurs like the Knopfs and Simon & Schuster, Cerf remade the book business: what was published, and how. In 1925, he and Klopfer bought the Modern Library and turned it into an institution, then founded Random House, which eventually became a home to Truman Capote, Ralph Ellison, Ayn Rand, Dr. Seuss, Toni Morrison, James Michener, and many more.
Even before TV, Cerf was a bestselling author and columnist as well as publisher; the show super-charged his celebrity, bringing fameābut also criticism. A brilliant social networker and major influencer before such terms existed, he connected books to Broadway, TV, Hollywood, and politics. A fervent democratizer, he published āhigh,ā ālow,ā and wide, and from the Roaring Twenties to the Swinging Sixties collected an incredible array of friends, from George Gershwin to Frank Sinatra, having a fabulous time along the way.
Using interviews with more than two hundred individuals, deeply researched archival material, and letters from private collections not previously available, this book brings Bennett Cerf to vibrant life, drawing book lovers into his world, finally laying open the page on a quintessential American original.
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Nothing Randomā
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Description
A NEW YORK TIMES BOOK REVIEW EDITORSā CHOICE ⢠The āexhilaratingā (The Boston Globe) story of the legendary Random House founder, whose seemingly charmed life at the apogee of the American Century afforded him a front-row seat to literary and cultural history in the making
ā[A] big, beautiful biography ⦠Thereās a new Power Broker in town.āāThe New York Times
āFeldman depicts a lost world, at times a lost paradise, when New York, Hollywood and the literary life were at their most glamorous and privileged.āāThe Washington Post
At midcentury, everyone knew Bennett Cerf: witty, beloved, middle-aged panelist on Whatās My Line? whom TV brought into Americaās homes each week. But they didnāt know that the handsome, driven, paradoxical young man of the 1920s had vowed to become a great publisher and, a decade later, was. By then, heād signed Eugene OāNeill, Gertrude Stein, and William Faulkner, and had fought the landmark censorship case that gave Americans the freedom to read James Joyceās Ulysses.
With his best friend and lifelong business partner Donald Klopfer, and other young Jewish entrepreneurs like the Knopfs and Simon & Schuster, Cerf remade the book business: what was published, and how. In 1925, he and Klopfer bought the Modern Library and turned it into an institution, then founded Random House, which eventually became a home to Truman Capote, Ralph Ellison, Ayn Rand, Dr. Seuss, Toni Morrison, James Michener, and many more.
Even before TV, Cerf was a bestselling author and columnist as well as publisher; the show super-charged his celebrity, bringing fameābut also criticism. A brilliant social networker and major influencer before such terms existed, he connected books to Broadway, TV, Hollywood, and politics. A fervent democratizer, he published āhigh,ā ālow,ā and wide, and from the Roaring Twenties to the Swinging Sixties collected an incredible array of friends, from George Gershwin to Frank Sinatra, having a fabulous time along the way.
Using interviews with more than two hundred individuals, deeply researched archival material, and letters from private collections not previously available, this book brings Bennett Cerf to vibrant life, drawing book lovers into his world, finally laying open the page on a quintessential American original.
ā[A] big, beautiful biography ⦠Thereās a new Power Broker in town.āāThe New York Times
āFeldman depicts a lost world, at times a lost paradise, when New York, Hollywood and the literary life were at their most glamorous and privileged.āāThe Washington Post
At midcentury, everyone knew Bennett Cerf: witty, beloved, middle-aged panelist on Whatās My Line? whom TV brought into Americaās homes each week. But they didnāt know that the handsome, driven, paradoxical young man of the 1920s had vowed to become a great publisher and, a decade later, was. By then, heād signed Eugene OāNeill, Gertrude Stein, and William Faulkner, and had fought the landmark censorship case that gave Americans the freedom to read James Joyceās Ulysses.
With his best friend and lifelong business partner Donald Klopfer, and other young Jewish entrepreneurs like the Knopfs and Simon & Schuster, Cerf remade the book business: what was published, and how. In 1925, he and Klopfer bought the Modern Library and turned it into an institution, then founded Random House, which eventually became a home to Truman Capote, Ralph Ellison, Ayn Rand, Dr. Seuss, Toni Morrison, James Michener, and many more.
Even before TV, Cerf was a bestselling author and columnist as well as publisher; the show super-charged his celebrity, bringing fameābut also criticism. A brilliant social networker and major influencer before such terms existed, he connected books to Broadway, TV, Hollywood, and politics. A fervent democratizer, he published āhigh,ā ālow,ā and wide, and from the Roaring Twenties to the Swinging Sixties collected an incredible array of friends, from George Gershwin to Frank Sinatra, having a fabulous time along the way.
Using interviews with more than two hundred individuals, deeply researched archival material, and letters from private collections not previously available, this book brings Bennett Cerf to vibrant life, drawing book lovers into his world, finally laying open the page on a quintessential American original.












